5 - Repetitionen after Psephos by Willem Boshoff (Composer: Jaco Meyer)
- willemboshoffartist
- Jun 14, 2023
- 1 min read
5 - Repetitionen after Psephos by Willem Boshoff (Composer: Jaco Meyer)
Repetitionen after Psephos by Willem Boshoff From Five Sketches after artworks by Willem Boshoff Dedicated to Willem Boshoff Composed in Memory of Kobus van Zyl Geldenhuys Composer: Jaco Meyer Artwork: Willem Boshoff Performers: Novus String Quartet Violin I: Dieter Hendricks Violin II: Hana Yim-Wahl Viola: Waldo Alexander Violoncello: Maren du Plessis Video Recording: 3D Tours Video Editing: Robert Rennie Sound Recording: Tacet Audio Sound Engineer: Keith Forsyth Recorded at the Javett Art Centre at the University of Pretoria Exhibition: Willem Boshoff: Word Woes
The way Boshoff’s grid-based repetition gets translated into Meyer’s string textures is fascinating—it’s like watching the visual rhythm of "Psephos" become audible. I’ve been exploring similar crossovers with https://flux3.site
The way Boshoff’s text-based systems translate into Meyer’s string repetitions is fascinating—especially how the quartet’s phrasing echoes the grid-like logic of the original artwork. I’ve been exploring similar intersections of visual art and composition, and this piece gives me a fresh angle on that dialogue. Check out https://image-to-stl.com
The way Boshoff’s text-based systems translate into Meyer’s string repetitions is fascinating—it’s like watching the visual grid become pure rhythm. I’ve been exploring similar intersections between notation and visual art, and this piece really nails that dialogue. Check out https://3d-ai-generator.com
The way the string quartet mirrors the grid-like repetition in Boshoff’s *Psephos* is haunting—it turns visual patience into sound. I’ve been thinking about how that kind of structured obsession translates across mediums, and I’ve been using https://lyrics-to-song-ai.com
The way Boshoff’s grid-based repetition gets translated into Meyer’s string textures is fascinating—it’s like you can hear the visual rhythm of the psephos stones. I’ve been exploring similar intersections of notation and visual art, and this piece is a perfect reference point for that. Check out https://hy-3d.net